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The Top Ten Best Hit Songs of 2018
Date Aired
January 12th, 2019
Running Time
15:29 (Part 1)
19:21 (Part 2)
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Todd plays Halsey - "Bad at Love"[1] on piano

THE TOP TEN BEST HIT SONGS OF 2018

A year-end review

Todd: Welcome back. Now that 2018 is about a week or so in the rearview, yeah, I already like 2019 more than I did the year before. [image of...] But, though this has been a pretty...dismal 12 months in the pop scene, honestly, filling out the best list was a lot easier than the worst list. I find that's true a lot of the time. The best list is the stuff that actually mattered to me.

Video for Camila Cabello - "Never Be the Same"[2]

Todd (VO): As opposed to last year's worst list, where it felt like nothing really mattered or was worth thinking about much.

Todd: And it's especially easy to make the best list this year, for one reason. All 10 entries are "Bitch I'm a Cow."

Clip of Doja Cat - "Mooo!"

Doja Cat: Bitch I'm a cow, bitch I'm a cow

I'm not a cat, I don't say "meow"

Todd (VO): Yeah, I know what you're thinking: "That was from 2018?!" [laughing] I know, right? Man, that year lasted for fucking ever.

Todd: But being serious, I do feel more optimistic about 2019 than the year previous. I feel like mainstream music is starting to pick up again. But then again, maybe I was down on the year because I expect [image of poster for Song of the Summer 2016] all the big pop smashes to be released in the summer. And it seems like [image of music notes in...] winter is where things are really happening lately. Maybe music is gonna be more like movies, where all the good shit gets saved until Oscar season and then they dump everything good in December. I can work with that. Get ready for Winter Jams, and voting on which is the Song of the Winter from now on. [throws hands up] OK, enough buildup, let's get to it. We're counting down!

Clip from DylanGLC's "It Gets Better", which serves as the interlude throughout the countdown

Bruno Mars: We out here drippin' in finesse

Todd (VO): The Top Ten Best Hit Songs of 2018!

#10

Todd (VO): #10.

Todd: So here's how the year in music started.

Clip from 60th Annual Grammy Awards

U2: 24K Magic, Bruno Mars

Todd (VO): And...

Todd: ...it didn't seem to go over that well.

Todd (VO): Yeah, we enter fraught times for Bruno Mars. [shots of articles about...] After the Grammy win, I saw the anti-Bruno backlash begin in earnest, and...I find that extremely disappointing...

Todd: ...but not surprising.

Clip of live Grammys performance of B.o.B. ft. Bruno Mars - "Nothin' on You"

Todd (VO): Bruno's been living in the music of his childhood for a while, but his entire vibe has always been from even earlier, like the Rat Pack, pre-rock 'n roll era of showbiz. And that's made people suddenly see him as this, like, cheesy Vegas lounge act.

Todd: And though I love the man, I begrudgingly see their point.

Clip of live performance of...

Todd (VO): The world now feels a billion miles away from "Uptown Funk." Are we really just gonna retreat in the music of a happier era? What use does this kind of music have in this day and age? What relevance? This shit just isn't cool anymore.

Todd: [pause] Well fuck it, I never pretended to be cool.

#10. Bruno Mars feat. Cardi B. - Finesse[3]

Bruno: We out here drippin' in finesse

It don't make no sense

Out here drippin' in finesse

Todd (VO): Fine. Maybe Bruno Mars is coasting off of hollow pastiche. It still sounds great.

Todd: And great news: He has in fact finally reached the '90s.

Video for Bobby Brown - "Every Little Step"

Todd (VO): Although I guess new jack swing also already existed by the late '80s, but ["Finesse"] the In Living Color video firmly puts the song in 1990 at the earliest. What can I say? I'm really glad it exists, 'cause out of the [image of Back To The '90s] entire '90s nostalgia craze...

Todd: ...we didn't actually get any music that sounded like the '90s.

Todd (VO): We got a couple name drops, but the actual music just stuck in the '80s forever. And I think we've already jumped to the 2000s. [clip of The Backstreet Boys - "Don't Go Breaking My Heart"] Even the Backstreet Boys comeback didn't sound like the '90s.

Todd: What a waste.

Clip of "Finesse"

Todd (VO): So thank God that Bruno is keeping the dream of the '90s alive. That said, I'm not sure this would have made the list...

Todd: ...if not for Cardi B.

Cardi B: Drop top Porsche (Porsche), Rollie on my wrist (wrist)

Diamonds up and down my chain (aha)

Todd (VO): No matter what the genre, Bruno always sounds like Bruno. He doesn't change the way he sings; he just doesn't sound like [image of...] Bell Biv DeVoe or anything like that. But Cardi B slots into the early '90s so...

Todd: ...perfectly.

Cardi B: Like ayy

Hit the Lil' Jon, okay (okay)

Todd (VO): Even with the Lil Jon reference, she sounded so '90s.

Todd: She is Left Eye Lopes reincarnated, I swear.

Cardi B: Yeah, we got it goin' on, got it goin' on

Don't it feel so good to be us? (ayy)

Todd (VO): In fact, Cardi was basically the last guest rapper who could actually do anything for a pop song anymore. [clip of "Girls Like You"[4]] Not that she always used that power for good. She's like the Pitbull of 2018, only good this time. And if she'd had more of the song, it would be a lot higher on the list.

Todd: Meanwhile, Bruno seems to be reacting by...trying to rebuild his cred.

Video for Gucci Mane ft. Bruno Mars & Kodak Black - "Wake Up in the Sky"[5]

Todd (VO): Which collaborating with Gucci Mane of all things...actually came out pretty well. But I hope we never lose corny retro Bruno. [clip of "Gettin' Jiggy wit It" by...] I saw the same backlash happen to Will Smith, and...Will did a lot more to earn it, but...come on. Are you gonna act like you don't go "Na na na na na na na nana," when "Gettin' Jiggy wit It" comes on? [clip of "Finesse"] Spare me. I was never too cool for Will Smith, and I'm not too cool for Bruno Mars either.

Todd: Bruno Mars forever.

Bruno: You know it, you know it

Interlude

#9

Todd (VO): #9.

Video for...wait for it...

Dua Lipa: One, one, one, one

Todd (VO): OK, umm...my bad.

Todd: This should've been on last year's list

#9. Dua Lipa - "New Rules"[6]

Dua: I got new rules, I count 'em

Todd (VO): I guess I just didn't appreciate it in its time. But it definitely really didn't catch fire until 2018, so thankfully, it feels more appropriate to put it on this year's list.

Todd: And let me say, Dua Lipa was a breath of fresh air all of 2018.

Todd (VO): And I'm not sure if she's an actual personality who will become a big-name star, but...even if she's just another pretty face who sings pretty tunes...

Todd: ...the fact is all the tunes so far have been really good, which is an excellent sign.

Todd (VO): Good God, that drum roll.

Snippet of drum roll during the chorus plays

I just like the concept. So, she's got this on-again, off-again guy she can't seem to get past. A dead end relationship that refuses to end. How do you solve it?

Todd: Well, she's got new rules. And not like [still shot from...] Bill Maher's New Rules. [...and another showing Bill next to a picture of Vladimir Putin] 'Cause there's nothing in there about being a total douchebag or making really punchable facial expressions. No, Dua Lipa's rules are pretty sensible.

Dua: One: Don't pick up the phone

Todd (VO): One: Don't pick up the phone.

Todd: Two: Just wanna be with you. [clips of "Dick in a Box"...] Three: Make her open the box. Four: Nothing wrong with me! [...and Drowning Pool - "Bodies"] Ahhhh!

Dave Williams: Let the bodies hit the floor

Let the bodies hit the floor

Todd (VO): OK, I've gotten a little lost here. [clip of "New Rules"] But my point is that this whole counting down thing is a real...classic song structure. So in its own way, this is as retro as Bruno.

Dua: If you're under him, you ain't gettin' over him

And the lines are all clever, and they're all good advice.

Todd: Don't talk to him, don't be friends with him, don't fuck him. [pause] Honestly, these are all kinda the same rule.

Dua: Practice makes perfect

I'm still tryna learn it by heart

Todd (VO): But I get it. Sometimes you need to express it in every single way you can...

Todd: ...'cause everyone's always lookin' for a loophole.

Dua: I got new rules, I count 'em (Baby, you know I count 'em)

Todd (VO): Yeah, I...definitely should've been kinder to this song the year before. So, uh...I got new rules. Try and recognize a really good song the first time you hear it.

Todd: [shrugs] Ehh, practice makes perfect.

Dua: You're gettin' over him

Interlude

#8

Todd (VO): #8.

Video for "SICKO MODE" starts

Todd: Am I the only one a little suspicious of all the hype AstroWorld got?

Todd (VO): AstroWorld is the album by Travis Scott, he dropped it in August to widespread acclaim from fans and critics alike, and...

Todd: ...I dunno. I mean it does sound great, and it has a lot of creative energy, but...

Todd (VO): ...I dunno. I'm not entirely on board with all the acclaim. I mean, it's not super groundbreaking with anything it says or anything it...

Drake: Goin' on you with the pick and roll

Young La Flame, he in sicko mode

Todd: Actually, hold on a second. [bops his head along to the beat drop]

#8. Travis Scott - "SICKO MODE"[7]

Travis Scott: Made this here with all the ice on in the booth

At the gate outside, when they pull up, they get me loose

Todd: Well shit. Fine, you got me. [throws hands up]

Todd (VO): But I'm still not fully with this. For one, I think Travis Scott is 100% the least interesting part of his own music. Even all these rave reviews seem to praise Travis not as a real artist, but more as an organizer and curator of more interesting collaborators.

Todd: Even Travis himself seems to think of himself that way.

Travis: Who put this shit together? I'm the glue

Swae Lee: Someone said

Todd (VO): I saw a couple of those rave reviews straight up compare him to [image of...] DJ Khaled, which...

Todd: ...Jesus Christ, let's not go that far. Travis Scott knows more than seven words.

Todd (VO): But at the same time, Travis doesn't leave a huge impression. If I had heard a new song from him, I wouldn't recognize him. I don't have much a sense of who he is. Except...

Todd: ...that he really seems to like Jamba Juice.

Travis: ...to Jamba Juice

Chase B mix this pop like Jamba Juice

Todd (VO): But then I realized...if he's supposedly such a boring rapper...

Todd: ...why do I know every line?!

Travis: Stacey Dash...

Todd (VO): [rapping along] ...most of these girls ain't got a clue.

Todd: That Stacey Dash thing is just a shoutout and not an insult.

Todd (VO): I mean, you just gotta respect the energy and the audacity of it. It's this genuinely weird song with three different sections, and no real hook, and it conquered the world. Every line hits. Even the Drake parts, and I did not want to say that, 'cause I am just done with Drake.

Drake: Lost my respect, you not a threat

Todd: Drake did not have a great record for threat assessment this year.

Todd (VO): But even here, I can't help but feel it.

Drake: I did half a Xan, 13 hours 'til I land

Had me out like a light (Like a light)

Todd dances and raps along

Like a light

Todd: Goddammit Drake! You got me again!

Todd (VO): How does he make taking a nap sound cool? How the fuck do you keep getting away with this?! I have so much Drake fatigue, I shouldn't have to listen to him for another five years at least!

Todd: You get one, Drake! Just the one!

Todd (VO): But honestly, it's the Rae Sremmurd hook that got me.

Swae Lee: Someone said

Todd: I am all the way around on Rae Sremmurd, by the way. They're the best hook artists in hip-hop. And they get...just two words.

Swae Lee: Someone said

Travis: Shorty FaceTimed...

Todd (VO): And it doesn't seem to have anything to do with anything! Who said? What'd they say? Maybe that's what someone said. Or maybe they said something else entirely. Because this song doesn't need the parts to connect.

Todd: I mean, hip-hop has always jumped from one topic to the other with no need to stay on track. So why not just go completely avant-garde?

Todd (VO): It's the prog rock trap song I didn't know we needed. I admire the hell out of it, but more importantly, I just like it. I mean, who could deny it?!

Todd: [shrugs] Three parts!

Video ends

Interlude

#7

Todd (VO): #7.

Video for...

Todd (VO): Every now and then, there's that one song that seems to exist just to fill airtime. Like, nothing wrong with it, but no one seems to care about it all that much except for me.

Todd: Well, uh, this is it. This is my song.

#7. Khalid feat. Normani - "Love Lies"[8]

Khalid & Normani: So baby, tell me where your love lies

Waste the day and spend the night

Todd (VO): Like, I feel like I'm fighting uphill trying to hype a song that won't mean much to anybody else...

Todd: ...but I really liked it. And, in fact, I like Khalid a lot also.

Todd (VO): I realize that he's kinda the Muppet Babies version of [image of...] Frank Ocean.

Todd: But he's worth checking out regardless.

Video for Khalid - "Young Dumb & Broke"[9]

Todd (VO): He reminds me a little of Lorde in that he seems wise beyond his years despite...all his stuff being about being a teenager. [clip of "Love Lies"] This is the most downbeat of his hits, and... Todd: ...Even though it was, in fact, a Top 10 hit, it seemed kinda lost in the shuffle to me.

Khalid: Sorry if it's hard to catch my vibe

Todd: Well, I caught it, Khalid. Todd (VO): Like, I connect to this song a lot personally; I just relate to it.

Khalid: It's hard for me to open up, I'll admit it

Khalid talks about being on his own vibe, not opening up, and I get that.

Todd: It's hard to get to know me, too. [sarcastically] Yeah, I know. Shocking! Mr. Literally Shrouded In Darkness is private and reserved in real life, believe it or not.

Todd (VO): So, I really connect to this song; it honestly gave me hope. Sure it's hard for me to get to know people, but maybe I too can connect...

Todd: ...with a Fifth Harmony member.

Normani: I've been so into your mystery

Todd (VO): For what it's worth, I'm still not impressed with any member of Fifth Harmony. Normani is credited as co-writer on this, so...maybe she's responsible for more of this than I realized. But even if she is, the mood definitely belongs to Khalid.

Normani: Can't say I don't want it 'cause I know I do

Like, I don't think Fifth Harmony's all sexy, all the time strategy makes her very equipped for this slow song. Like, even in the video, she's working it so hard. And, like...that's not really what the song's going for. Todd: I actually don't think the song is about sex. I think they're just talking.

Normani: You've got some shit to say and I'm here to listen

Todd (VO): Talking can be sexy. And when they sing together, they just sound great. They play off each other really well. So, who knows? Todd: Maybe they did catch each other's vibe.

Video ends

Interlude

#6

Todd (VO): #6.

#6 - Doja Cat - "Mooo!"

Doja Cat: Bitch I'm a cow, bitch I'm a cow

I'm not a cat...

Todd (VO): Heh, I'm kidding, I'm kidding.

Todd: It's just, I, uhh...I put two slow jams in a row so I wanted to break it up a little. Anyway, here's the real one.

#6. Ella Mai - "Boo'd Up"[10]

Ella Mai: Listen to my heart go ba-do, boo'd up

Biddy-da-do, boo'd up

Hear my heart go ba-do, boo'd up

Todd (VO): Ah, yes. "Boo'd Up" by Ella Mai. Todd: The hit so nice...

Video for Ella Mai - "Trip"[11]

Todd (VO): ...she made it twice.

Ella: My bad, my bad for, trippin' on you

Seriously... Todd: ...they're the same song.

Clip of "Boo'd Up"

Ella: Ooh, no, I'll never get over you...

Todd (VO): I don't know if Ella Mai has another trick up her sleeve. She could become one of those UK acts who cross over for like a tiny space of time like Estelle, or La Roux. I hope not. I loved this song right away. And, in fact, this was the first song of the year that I knew immediately was gonna be on the list. Todd: But, it's also the song I wanna think about the least.

Ella: Head over heels in love

Todd (VO): A lot of these songs make me put on my critic hat and start writing. "Boo'd Up" was just this '80s quiet storm love jam that...

Todd: ...I didn't want to analyze at all. I just wanted to enjoy it.

Todd (VO): It's the kind of good song that shuts everyone up. [shot of article: "Is R&B A Dying Genre?"] Classic R&B doesn't really have hits anymore. If it doesn't have those, you know, dark trap beats, no one cares.

Todd: And yet, this was instantly one of the biggest hits of the year.

Ella: Boo'd up, boo'd up

Boo'd up, boo'd up

Todd (VO): That said, I suspect the title, "Boo'd Up," is going to be dated, like...almost immediately. And it's not just the title that's 2018. Todd: She also uses the phrase, "in my feelings," a lot.

Ella: Feelings, so deep in my feelings

Todd (VO): Which is great, 'cause we sure needed [single cover for Drake - "In My Feelings"[12]]a song about being in my feelings.

Todd: You know, a good one at least.

Todd (VO): But if anyone still sang "Boo'd Up" two years from now, I think you can count this song as the reason. It's just perfect. And in fact, Ella Mai has that perfect, smooth smoky voice that would've worked really well on "Love Lies."

Todd: As much as I complained about pop music this year, it couldn't have been that bad. It had this amazing song, and there were five other hits that I liked better than it!

Todd (VO): That's just astonishing to me! What a great goddamn song.

Video ends

Todd: And what are the five songs better than this? Well, this video is running long, so tune in next time.

Screen fades to black

GO TO PART 2!

(LINK IN DESCRIPTION)

Todd: Hey, you're back. Wanna see what this tasteless idiot thinks is good music? [rubs hands together] Alright, let's go.

Interlude

#5

Todd (VO): #5.

Todd: One of the...odder things about 2018 is how...

Video for Rich the Kid - "Plug Walk"[13]

Todd (VO): ...pop music and rap music have become, like, almost completely segregated. I mean, that just might seem like that to me 'cause I live in New York, [image of Z100 station logo] where the Top 40 stations are just...bizarrely rap-phobic. Todd: But it seemed that there wasn't a lot of overlap between the two. You could be a rap star or a pop star, but not both.

Clip of live performance of Post Malone ft. Ty Dolla Sign- "Psycho"[14]

Todd (VO): The only crossovers were Drake and Post Malone. And only the songs without rapping on them, so those probably don't even count.

Todd: So I am basically counting this as the one, real crossover hip-hop single of the year. The single, solitary one. But what a hit it was.

#5. Cardi B, Bad Bunny & J Balvin - "I Like It"[15]

Cardi B: Diamond district in the chain, chain (I said I like it like that)

Certified, you know I'm gang, gang, gang, gang (I said I like it like)

Woo!

Todd (VO): Cardi B had a year where she seemed able to do no wrong. She had a bumpy marriage that fell apart, and a feud with Nicki Minaj, and it seemed like not a single person sided against her. [another clip of "Girls Like You"] She did a verse on the worst song of the year, and yet none of the stink came off on her.

Clip of "I Like It"

And she's certainly good at what she does, but it kinda seems like she doesn't even have to be good. She can just coast on charisma alone. Todd: But, "I Like It" in particular felt like the peak of her greatness, and not just because it was her biggest hit.

Bad Bunny: Chambean, chambean, pero no jalan (¡Jalan!)

Todd (VO): Like, there's a lot of Spanish on this song. You got Cardi, who's part Dominican. And you got two reggaeton artists: J Balvin, who's Colombian, Bad Bunny, who's Puerto Rican. But the most important person in this discussion... Todd: ...isn't one of the credited artists.

Montage clips of live performances of...

Todd (VO): It's this guy right here, Pete Rodriguez. He made boogaloo music back in the '60s, which was a mix of R&B and Latin jazz. So basically, the '60s version of reggaeton. [single cover for...] This is his song they're sampling, "I Like It Like That." [clip of The Blackout All-Stars - "I Like It"] I know it better from the '90s version. Just know that it's this huge, towering influential song. This giant smash that opened up Puerto Rican music to the rest of America. Todd: What "La Bamba" is for Mexican-Americans, that's what "I Like It Like That" is. Not just for Puerto Rican music, but like the entire Latin-Caribbean scene.

Video for "I Like It"

Todd (VO): So attaching yourself to this song, updating it for modern times, that is a bold move.

Todd: In rock terms, that's like releasing a cover of "Bohemian Rhapsody" as a single.

Todd (VO): It's something you only do if you have total confidence in who you are.

Todd: And it's a big deal especially in 2018, 'cause...

Montage clips of numerous broadcasts about Puerto Rico

Todd (VO): You know, I don't know if you noticed, but...there's a lot of demographics who have the right to feel hard done by in America. And Puerto Ricans shot way up the rankings these past couple of years. ["I Like It"] So even though there's nothing overtly political about this, it's just a song of three Latin superstars living their best lives. It felt like a power move, like a statement of pride. Way more than even "Despacito" was the year before. Todd: Cardi B didn't need Justin Bieber to get over it. [pause] Because she's Cardi. That's all I'm sayin'.

Video ends

Interlude

#4

Todd (VO): #4.

Clip of opening for Street Fighter II

Todd: Hadouken!

Todd (VO): I played the shit out of this game. Never a Mortal Kombat kid, always Street Fighter. I could have bought every new console for every new generation that came after with the quarters I fed into this one game. It ruled my life. This game was a game-changer for a lot of reasons, but a big one was its great cast of characters. You could play as a sumo wrestler, or a weird green monster-man, or, the weirdest of all...[close-up shot of Chun-Li] What's this?

Todd: A g-g-g-girl?!

#4. Nicki Minaj - "Chun-Li"[16]

Nicki Minaj: Ayo, I been on, bitch, you been corn

Bentley tints on, Fendi prints on

I mean I been Storm

Todd: I did not know Nicki was a gamer chick.

Nicki: Plates say Chun-Li, drop the Benz off

Todd (VO): That's pretty cool. Todd: OK, I don't actually know if she games or not. Although she does compare herself to another game icon.

Nicki: Ayo, I been north, Lara been Croft

Todd (VO): I don't really know what that means exactly, but it's a cool shoutout regardless. One reference to Samus, and she could have the trifecta. Todd: Actually she compared herself to a billion other pop culture icons in this song, including [brief images of...] Storm, King Kong, and Michael Jordan.

Nicki: How many championships? What? Six rings on

Todd (VO): But those are kinda played out. Chun-Li was the right one to base a song around. [another clip of Street Fighter II] Chun-Li was the only female character in that game. [image of Nicki onstage with Lil Wayne and the Young Money crew] For a long time, Nicki felt like the only female in the game. I honestly thought she was the best character. Chun-Li was so cool that there was no stigma as playing as a girl, which is a big deal when you were a little kid in the '90s. Todd: And that's why gamers are such feminists today.

Clip of "Chun-Li"

Nicki: (Brrr)

Todd (VO): I don't know why Nicki likes Chun-Li. It could be she just likes those Chinese hairbuns.

Nicki: I went and copped the chopsticks, put it in my bun just to pop shit

But it's also probably just this one quote. [clip of Street Fighter showing said quote: "I'm the strongest woman in the world."] And that's what this entire song felt like Nicki was. "Strongest woman in the world." Every line spit out one after the other [clip of Chun-Li wailing on a car] like a lightning kick. This was... Todd: ...the song I've been waiting for her to make her entire career.

Nicki: Now everybody like, "She really is the best"

Todd (VO): After she dropped this, I really thought that there would be no doubt about her. She would be the undisputed Queen of Hip-Hop. Todd: [pause] And that did not happen. And Nicki only has herself to blame.

Nicki: They paintin' me out to be the bad guy

Todd (VO): No, they weren't doing that, Nicki. Todd: You were. [shot of article: "Nicki Minaj tells fans to target Billboard writer for saying her tour is 'cancelled'"] She started a bunch of feuds that were all really pointless and regrettable. [clip of 6ix9ine ft. Nicki Minaj & Murda Beatz - "Fefe"[17]] And one friendship that was...even more regrettable. Also, Nicki debuted ten years ago, and it...

Video for Nicki Minaj - "Barbie Tingz"[18]

Todd (VO): ...feels like she hadn't really adapted to the new hip-hop landscape the way Drake has. Feels like she's been running an outdated playbook for a while. I mean...[clip of DNCE ft. Nicki Minaj - "Kissing Strangers"] who thinks doing a guest spot for DNCE is a good idea? Chun-Li stayed the female icon of that franchise even when other female characters showed up, and Nicki couldn't do that.

Video for Migos, Nicki Minaj and Cardi B - "Motorsport"[19]

It's not fair to compare Nicki and Cardi just 'cause they're the only big female rappers, but Nicki basically forced the comparison, and she firmly lost. [clip of "Chun-Li"] And it's really galling that she lost her throne right when she was making some of the best music of her career.

Nicki: They need rappers like me

They need rappers like me

Todd (VO): Whatever. This song still kicked as much ass as Chun-Li... Todd: ...even if Nicki had a [image of DVD cover for Street Fighter: The Legend of Chun-Li] "Legend of Chun-Li" of a year.

Nicki: What? Six rings on

Interlude

#3

Todd (VO): #3.

Interlude

#2

Todd (VO): #2.

Honorable Mentions

Interlude

#1

Todd (VO): [ominously] #1.

Closing tag song: Migos - "Stir Fry"[20]

Footnotes

  1. #27 on Billboard Year-End Hot 100
  2. #18 on Billboard Year-End Hot 100
  3. #14 on Billboard Year-End Hot 100
  4. #10 on Billboard Year-End Hot 100
  5. Not on Billboard Year-End Hot 100; peaked at #11
  6. #16 on Billboard Year-End Hot 100
  7. #42 on Billboard Year-End Hot 100
  8. #19 on Billboard Year-End Hot 100
  9. #67 on Billboard Year-End Hot 100
  10. #15 on Billboard Year-End Hot 100
  11. #92 on Billboard Year-End Hot 100
  12. #9 on Billboard Year-End Hot 100
  13. #57 on Billboard Year-End Hot 100
  14. #6 on Billboard Year-End Hot 100
  15. #7 on Billboard Year-End Hot 100
  16. Not on Billboard Year-End Hot 100; peaked at #10
  17. #31 on Billboard Year-End Hot 100
  18. Not on Billboard Year-End Hot 100; peaked at #25
  19. #34 on Billboard Year-End Hot 100
  20. #48 on Billboard Year-End Hot 100
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