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Dawn of the Commercials

NC Dawn of the Commerials

Released
November 12,2013
Running time
48:54
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Dawn_of_the_Commercials_-_Nostalgia_Critic

Dawn of the Commercials - Nostalgia Critic

(The opening.)

(After that, we see the door to the filming room. Just then, NC step out with his "I O Donuts" on. He also epically looks onward to the fake audience cheering for him as an epic choir sings. NC then walks through the right archway.)

NC (voiceover): (as crowd member) Uh, does he know the TV's the other way?

(NC returns, as the choir and cheering resumes, then sits on his sofa and picks up his remote.)

NC: Let's review some commercials.

(He turns on his TV. TV static transition to: various commercials.)

NC (voiceover): Yep, it's that time again to tour down the often forgotten, but fondly remembered, avenue of nostalgic commercials. Why do so many of them stay with us? What is it about their world of pandering and advertising that makes us so fond of them? Whatever it is, we're gonna review them and partake in their corniness once more.

NC: So, seeing how the 1st one I called "We'll be Right Back*" and the 2nd one "After These Messages**" and the 3rd one "!" , this one I'm gonna call..."The Fourth One".

  • The 1st one is "After These Messages"
    • The 2nd one is "We'll be Right Back"

(We see the “After These Messages” bumpers as seen on ABC)

Three Clay Female Singers: After these messages...

Clay Fire Hydrant (sings): After these messages...

Clay Cowboy (sings): After these messages...

Clay Dog (sings): After these messages...

(The title "The Fourth One" is shown)

Three Clay Female Singers (audio): ...we'll be right back!

(TV static transition to: Chef Boyardee commercial)

Kid: Dinosaurs! Come on!

Announcer: Capture those dinosaurs. It's the dinosaur hunt. Chef Boyardee.

NC: (vo) Ah, good ol' Chef Boyardee, causing children around the world to grow up and shout "I can't believe I used to put this in my body."

Announcer: Dinosaurs from Chef Boyardee. Tasty, wholesome pasta that's a dinosaur hunt.

NC: "Tasty wholesome pasta." I can think of three things wrong with that sentence.

Pac-Man: Thank goodness for new Pac-Man pasta from Chef Boyardee.

NC: (vo) Now, of course making famous characters into edible shapes is nothing new. There was Pac-Man, Smurfs. Hell, even Tic-Tac-Toe got a pasta.

Announcer: Everywhere I go, it's X's and O's. Makes me feel so hungry for Tic-Tac-Toe.

NC: (vo) What some people forget is that for the longest time, they tried to make a game out of eating their products. Yeah, listen.

Announcer: And when you get three x's or o's on your spoon, you win.

Announcer: First one to capture all three dinosaur shapes wins.

NC: (vo) Why must you turn dinnertime into a competitive sport? Wouldn't the more appropriate rules be:

Announcer (Malcolm Ray): Hey kids, if you can eat the elbow macaroni and ketchup we're calling pasta without vomitting it up through your ears, nose, or mouth, you win.

Kids: Thank goodness for Chef Boyardee.

NC: (vo) Look at this crazy kid. He is jacked up on this stuff. Just look at that face (close on kid's large grin). He saw Jesus and at the same time decided he wanted to eat him.

Announcer: Everywhere I go, it's X's and O's.

NC as Kid: Ahhhhh!

Announcer: They're so tasty. Chef Boyardee.

NC: (vo) Well, even if you don't like the food, Chef Boyardee always knew how to give us that tasty amount of goofiness.

Announcer: Tic Tic Tic Tic Tic Tac Toes. With and without meatballs.

NC as Kid: Ahhhh!

(TV static transition to: McDonalds commercials)

Ronald McDonald: Hi, Lindsey.

Lindsey: Oh, hi Ronald.

NC: (vo) Oh god, you can't help but feel that warm fuzzy feeling whenever you watch this classic.

Ronald: What's new?

Lindsey: Nothing. Everybody says I'm too little.

Ronald: Really?

NC: (vo) It's a McDonald's commercial about a little girl thinking about running away but, for some reason, never questions the creepy clown that's on her neighbor's lawn.

Lindsey: I'm thinking of running away to McDonaldland.

Ronald: McDonaldland? That's where I'm from.

NC as Lindsey: I hear it's a dictatorship where people disappear.

NC as Ronald: Well, Lindsey, maybe there's some undesireables that are holding back genetic progress.

Lindsey: Yeah, I hear it's really nice.

Ronald: I hear where you're from is really nice, too.

Lindsey: It's OK.

Ronald: Cause you got that basketball hoop over your garage and your back porch has that great wind chime.

Lindsey: I made that.

Ronald: (Makes a butterfly appear in his hands) Plus there's that beautiful feel.

Lindsey: Where I kiss(?) butterflies.

NC: (vo) Yeah, but to be fair, her basketball hoop and wind chime aren't as impressive as your satanic powers to levitate solid mass and create life from nothingness. McDonaldland is still sounding a bit cooler there, Ronald.

Ronald: Hey, when you're in McDonaldland, whose gonna make the decorations for your dad's birthday party? Whose gonna be the snowflake in the school play?

Lindsey: Ronald.

Ronald: Whose gonna feed Mr. Goldfish?

Lindsey: Hey, Ronald. I think I hear my mom calling me.

Ronald: Oh, Ok. Bye Lindsey.

Lindsey: Bye.

NC: (vo) Yeah, it all seems sweet and cute until you realize this was a stranger danger commercial.

Audience: Boooo!

NC: Oh, come on. I can't be the first person to think that about Ronald McDonald. I mean, look at him in this commercial.

(Shows a McDonalds commercial of a girl making a Ronald snowman)

Ronald: He's good, but I think he's missing something.

Girl: What?

(He blows some snow to make another snowman appear)

Ronald: A friend.

NC: (vo) Yeah, if a strange man dressed like a clown lures you with magic tricks and, oh, I don't know, offers you McDonalds to go with him, chances are you should probably run for home, or as Sonic puts it:

Sonic the Hedgehog: You get outta there.

NC: (vo) Just look at the way Ronald stares at her in this scene.

Ronald: I think he's missing something. A friend.

(Shows Ronald's smile with creepy music in the background)

NC: (vo) If someone went up to your kid and smiled like this...

(NC grins creepily with the same creepy music)

NC: (vo) ...I'd pull her the fuck away from him. Oh well, as much as I make fun of them, I still love both these commercials around Christmas time.

Announcer: McDonald's wishes you a holiday season spent with the people who make you smile.

NC: Brought to you by a company set to sabotage your arterries for the rest of your life.

Ronald: Bye Lindsey.

Lindsey: Bye.

(Creepy music)

(TV static transition to: A Batman Returns commercial)

NC: (vo) So, you think celebrity endorsements are bad now? Take a look what they did to the Caped Crusader when Batman Returns came out.

(Batman stops the Batmobile in front of vending machine)

Reporter: News alert. Someone is stealing Gotham City's power supply.

NC: (vo) That's right. Is he gonna stop rioters or capture the culprit responsible for this crime? Fuck no. He's gonna get him some Diet Coke.

(Batman races through Gotham City)

Announcer: When you want a Diet Coke, you want a Diet Coke.

NC: (vo as Batman) Diet Coke! Diet Coke! Diet Coke! I need my Diet Coke.

Announcer: After all, there's just one.

NC: (vo as Batman) I need my fucking Diet COKE!!!

(Shows clips from the movie)

NC: (vo as Batman) Goddamn traffic, get out of the way. I need my fat-free alternative to high fructose deliciousness.

NC: (vo as Alfred) Sir, don't you think you're taking this a little too far?

NC: (vo as Batman) Fuck you, Mr. Belvadere! DIET COOOOOKE!!!

Announcer: After all, there's just one.

(Batman approaches the vending machine as Catwoman laughs over him on the rooftop)

NC: (vo) But we discover it was Catwoman who was the culprit all along (Catwoman laughs and throws a Diet Coke down) Boy, slow week for her, isn't it? I mean, was this really her grand plan? Shut down the city so she could tease Batman's bizarre low-calorie soda fetish? No offence, Selena, but you could do better.

(Batman catches the soda with his bat-grappling hook)

Announcer: Diet Coke, just for the taste.

NC: (chuckles) No, that's the last reason anybody drinks it. The first reason is, well now honestly, because Batman drinks it.

NC: (vo) He loves it so much, he would literally let the city DIE just to get the last one. That's probably the best endorsement you can give a product.

NC: So, eh, I guess it works.

Announcer: Diet Coke, just for the taste.

NC: (vo as Batman) DIET COOOOKE!!!

(TV Static transition to: Toys R Us commercial)

Jenny Lewis: (singing) I don't want to grow up, I'm a Toys R Us kid.

NC: (vo) Another classic collection of commercials we can't forget along with that wonderful jingle we can't forget.

Peter Jacobs: (singing) I don't want to grow up, I'm a Toys R Us kid.

Scott Nemes: (singing) They got the best for so much less, you'll really flip your lid.

NC: (vo) They're charming commercials and all, but is it me or does this sound like the national anthem for adults who never really DID grow up? You know, those man-children and ... women-children who never wanted to do anything with their lives except play with their toys? I'm telling you. It's all because of this jingle.

NC: Don't believe me? The sequel commercial that came out years later proves it.

Jenny Lewis: (singing) I don't want to grow up, I'm a Toys R Us kid.

Adult Jenny Lewis: (singing) They've got a million...

NC: (vo) Look at that, they're in the exact same location.

Peter Jacobs: (singing) I don't want to grow up.

Adult Peter Jacobs: (singing) I'm a Toys R Us kid.

Scott Nemes: (singing) They got the best for so much less.

Adult Scott Nemes: (singing) You'll really flip your lid.

NC: (vo) It's like no time has passed. They never left their parents' place. This is their life.

Lindsey Price: (singing) From bike to trains to video games.

Adult Lindsey Price: (singing) It's the biggest toy store there is.

NC: (vo) In fact, the more I think about it, they're probably still there even to this day.

(Cut to Malcolm Ray at his computer with his keyboard covered in toy guns and candy)

Mom: (vo by Rachel Tietz) Reggie!

Reggie: Go away, Mom!

Mom: Reggie, when are you gonna get a job?

Reggie: I told you, Mom. I'm a Toys R Us kid.

Mom: You keep saying that, but what does it mean?

Reggie: You couldn't possibly understand, Mom.

Mom: I'm never gonna have any grandchildren.

Reggie: They just complicate the plan, Mom. The Toys R Us plan.

Mom: I'm gonna watch old home movies of ya and see where I went wrong.

Reggie: Toys R Us kid, Mom! Toys R Us kid!

NC: (vo) The only other problem I had with these commercials was that half the toys were never AT Toys R Us. You ever noticed that? I don't know if it was a copyright thing or what, but half of these products they were advertising were never at the store.

NC: Like imagine if you were a Ninja Turtle nut, like I was. Look at THESE fucking things!

(Showings dancing Ninja Turtles)

NC: (vo) Holy shit! I want the life-size dancing Ninja Turtles, please!

(big red letters appear that read:Don't Have It!)

NC: What? Don't have it? Well, OK. I'll take that gigantic teddy bear he's bouncing around on.

(big red letters appear that read:Don't Have It)

NC: What? Well, how about that game where you bomb the battleship?

(big red letters appear that read:Don't Have It)

NC: Fuck you! Look through the store. There has to be a game where you can bomb a battleship. Gah, this place is an insult to Gee-off-rey the Giraffe.

(big read letters appear that read:He's Not Real)

NC: He's not real?

(big read letters appear that read:No!)

NC: (sad face) I don't want to grow up!(puts his head in his hands)

Mom: Critic, when are you gonna get a job?

NC: Shut up, Mom!

Kids: I want to be a Toys R Us kid.

NC: (vo) Fucking liars!

(TV static transition to: Count Chocula commercial)

Count Chocula: Chocolatey cereal with Chocolatey marshmallow bats.

NC: (vo) Believe it or not, there was actually a period of time when Count Chocula was a live-action character, and would YOU like to see what he looks like?

(Shows the creepy looking Count with sunken in eyes and a very large cleft chin)

Count Chocula: If you crave chocolate...

NC: AHHH!

Count Chocula: Count Chocula cereal can satisfy the chocolate monster in YOU!

NC: What the HELL is that?! It looks like a silly putty combo of the Nesquik Bunny and fat Weird Al Yankovic! And okay...that chin seriously needs to be censored. I swear I'm ooking at Forest Whiticer's testicles right now and that should NOT be under the chin of any cereal mascot.

Count Chocula: Something happens to Mickey at day...

Mickey: Chocolate!

Count Chocula: The chocoate monster in him comes out for a bite.

NC: I don't even know what the commercial's about.It's a monster that wakes up but when he's fed Count Chocula he turns back into a kid...I-I-WHO CARES?! You can't you'r eyes of that image of Robin Williams coming out of a muppet's butt!

Count Chocula:You you crave chocolate cereal...

NC: GAHH!!!Turn away,turn it away! Burn it with acid!

Count Chocula: Count Chocula satisfies your chocolate monster...in no time flat!

Count Chocula (vo): The monsterously good part of a complete breakfast.

Count Chocula: Count Chocula can satisfy the chocolate monster in you!

NC: You stay the fuck away from my chocoate monster!

(TV static transition to: Sexual Harrasment PSA)

Boss: Y'know, you're doing a great job.

NC: (vo) Oh yeah,I don't know if many people remember this one,but for a while, everybody was quoting it. It starts off with a woman working at her job when her boss obviously starts hitting on her.

Boss: But you're not using all your assets. With a body like that, you could go places.

(Woman shrinks a bit and continues to shrink as her boss keeps hitting on her)

Female Announcer (vo): Sexual harassment can make you feel like less of a person. Ask for the stop sexual harassment booklet in your public library.

Boss: You're more sexy. Hey, this is your job we're talking about.

Woman: No, we're talking about sexual harassment here, and I don't have to take it.

NC vo: BOOM! My early 90s perm just schooled your ass! Heh, I don't know what is it; there's just something about how direct she is and how almost robotic she says it.

Woman: No, we're talking about sexual harassment here, (close-up with deeper voice) and I don't have to take it.

(YYYEAAAAAHHHH!! NC puts on shades, then stands up)

NC: (vo) The funny thing is sometimes I wonder if this would still work if the roles were reversed, like if it was the woman hitting on the man. My guess, in all honesty, would be "No." For one, kinda obviously, this happens more to women than it does to men, but two, men are just not smart enough to recognize when they're being hit on. We're kinda dumb that way. If a woman is not interested, that's the one we go for, but if a woman IS interested, we're blindly naive to it for some reason. If a female boss is hitting on a male worker, he's NOT gonna catch onto anytime soon.

(Cut to the Wicked Witch of the West, played by Rachel Tietz, in her castle)

Witch: Dorothy has escaped the castle. Spread out. Find her. Find HER! (suddenly points to someone offscreen) Except for you. You come her.

(Romantic music plays as one of the guards, played by Malcolm Ray, approaches her)

Guard: Yes, my lady.

Witch: (starts rubbing his chest armor) It's been a long day, hasn't it, oh ye henchman #5.

Guard: Yes, my lady.

Witch: And you'd do anything for me, wouldn't you?

Guard: Yes, my lady. Unless someone half your age were to kill you, in which case I would swear alligiance to her blindly.

Witch: (confused) OK. What do you say I ride your broomstick for a while?

Guard: What do you mean?

Witch: Fill my pointy hat.

Guard: Don't follow.

Witch: POP my ruby slipper.

Guard: Totally lost.

Witch: Jesus! Do I have to spell it out for you? I want to have sex with you.

Guard: Oh ... Still don't get it.

Witch: I don't have any other words to say. Not one part of that sentence could be interpretted in any other way.

Guard: Oh. I think I see what you're saying.

Witch: Good.

Guard: You want me and Henchwoman #12 to hook up. Well, don't worry, my lady. I'm still working on it. (Looks offscreen) Hello, Henchwoman #12.

Henchwoman: (offscreen) Still not into you, creep.

Guard: She's so into me.

Witch: Oh, forget it. You're fired. I'm gonna go hit on a flying monkey.

Guard: (still smiling) I need a better union.

NC: (vo) Enjoyably awkward and quotable as hell, we're just talking about a damn funny commercial here.

Woman: No, we're talking about sexual harassment here and I don't have to take it.

Female Announcer: (vo) Sexual harassment violates you and it violates the law.

(TV static transition to: Kix commercial)

Kid #2: Hey, Kix!

NC: (vo) Tih, remember Kix? The only cereal commercial that pretty much listed every single reason why not to buy it?

Various Kids: There's no candy stuff, no sugar sprinkles, no preservatives, no colors, it doesn't have any candy or chocolate in it...

NC (kid voice) :Honesty it's just rabbit droppings that they painted yellow, but the box is pretty.

NC (vo): Actually they went so far out of their way to prove what little is in it, that there's actually a commercial that says there's no flavor in it! Listen!

Kid: No colors, no flavors...

NC (vo): Yeah, that might be taken the wrong way guys, especially when you're advertising how phenomally boring your product is!

Girl #1: Only the ones with the little candies, right?

Girl #2: Uh-Uh.

NC: The funny thing is that Kix is the only cereal that tastes different literally with every single bite it takes. It's like it gets worse and worse with every single nip. I'm not even joking--you can do a diagram on the national progression of what every bite does to your taste buds.

(NC takes a bite of Kix)

NC (vo): The 1st bite demonstrates a tasty enjoyable experience that seems rather satisfying.

(Size of Smile Suggests Pure Satisfaction)

(Tasty and Enjoyable)

(NC's smile begins to decrease)

NC (vo): Notice how the smile has deteriorated by 50% on the 2nd bite, signifying less enjoyment out of the experience.

(50% Drop)

(This Might Have Been a Mistake)

(NC's smile disappears)

NC (vo): The 3rd bite clearly shows the mistake one feels having placed this product in their mouth; surely part of the box must've worked it's way onto the spoon.

(Oh My God, What Have I Done?)

(Did I Eat the Toy Inside)

(NC spits out the cereal)

NC (vo): Clearly they've made a cereal out of packing peanut. This mistake will not be made again.

(This is Shit!)

(NC cleans out his tounge)

Announcer: Now kids can get a classic little Golden Book, free from Kix, with one proof of purchase plus shipping.

NC (vo): Okay, did anyone ever actually send in the proof of purchase? I mean, did that ever happen in the history of mankind. I don't know if cereals still do this, but when they were too cheap to put the toy in the box, they had you pay for a stamp & envelope, as well as shipping & handling, and have the toy delivered to you a few days later. Do kids really have the attention span for that?

NC: (mimicking kid) Yay! I can get a toy! All I need is an envelope! I'm bored! Ooh, video games!

Announcer: Now kids can get a free Dr. Seuss classic to read, with 2 proofs of purchase, plus shipping.

NC (vo): But to be fair, those books probably would taste better than the actual cereal.

(Kids hiccup and laugh)

Announcer: Kix, Kid Tested, Mother Approved.

NC: Uh, yeah! Let's say it like it is, people.

(Kids hiccup and laugh)

Announcer (Malcolm Ray): Kix, Kids Tolerate it, Mother has Coupons.

(TV static transitions to: Teenage Mutant Ninja Turtles VHS)

Announcer: Hey, kids! There's another turtlerific edition of...

NC (vo): Now we're talkin'; Teenage Mutant Ninja Turtles! This is just a straight-forward ad promoting the 1st VHS that ever came out of the series.

Announcer: "Heroes in a Halfshell".

NC (vo): There's not a ton to talk about, except for one little portion that might throw you off a bit.

Announcer: The video that reveals the incredible true story.

NC: Wait a minute! What was that?

Announcer: The video that reveals the incredible true story.

NC: (vo) The incredible true story?

NC: Um. I'm not a scientist or anything but I'm just gonna take a wild guess that the insane adventures of (cut to clips of the show) four anthropomorphic lifeforms living in the sewers, skateboarding, eating pizza, and fighting the ninja army led by Uncle Phil (back to NC) probably ... PROBABLY takes place in the world of fiction.

NC: (vo) It's just so strange because there's no other way you can interpret it. It's not like he meant it to be taken this way or part of some misunderstanding. No, they straight up say it's a true story.

Announcer: The video that reveals the incredible true story.

NC: (vo) Uh, what the hell are we supposed to do with that except draw the conclusion the FHE are fucking liars.

Announcer: The video that reveals the incredible true story.

NC: That's right. They're real and if you don't see em in front of you right now, it's probably because you haven't bought enough of our products. Would we lie?

NC: (vo) One other thing two is that the announcer clearly has no problems straight up lying to kids about it but he almost stumbles when he has to read what they're actually called.

Announcer: It's Teenage ... Mutant ... Ninja Turtles.

NC: (vo) As if half way through, he just realized how stupid this sounded, but tried to keep going anyway.

NC as Announcer: Teenage Mu... Oh God. What were you guys smoking? ... uh, Ninja Turtles.

NC: (vo) Still a fun ad. Just don't have FHE testify in court anytime soon.

Michelangelo: Rock dude.

(TV static transition back to the Critic)

NC: Now this next one's a classic for two reasons.

(The Witch suddenly comes in)

Witch: Hello, my pretty. (Points at his shirt) Ah, I see you're a man who likes donuts, eh.

NC: Yeah?

Witch: Well, what do you say we find your creamy center.

NC: What d'ya mean?

Witch: Do some hole punching.

NC: Don't follow.

Witch: Let something rise up.

NC: Totally lost.

Witch: What's wrong with you? I want weird wobbly witch sex.

NC: Ah, I know what you're saying. You want me and the actress from Game of Thrones, the one who plays the Albino dragon chick (Emilia Clarke), to hook up. Well, don't worry. I got her on speed dial. (dials his phone) Hey, it's you-know-who.

Emilia: (on the other line) You're violating the restraining order, asshole.

NC: She totally wants me.

Witch: What am I missing here?

NC: You still here? Will you piss off? I'm trying to review some commercials.

Witch: Commercials?

NC: Yeah, like this one.

(TV static)

(Commercial Break)

(TV static back to the NC and Witch looking at a laptop) Witch: And this is what happens when a man and woman love each other very, very much.

NC: They look at porno sites together?

Witch: You're fired (She leaves)

NC: I don't even know you.

(TV static transition to: Take Care of Me Twins baby dolls commercial)

NC: (vo) Speaking of where babies come from, we got possibly one of the most brutally honest baby doll commercials ever. They're called the Take Care of Me Twins. Even that title sounds a little angry, doesn't it? Like a bitter nickname or something.

NC: (annoyed) Oh, do I need to buy the Take Care of Me Twins? (slaps a baby)

NC: (vo) This commercial seems determined to show every stressful, terrible part about raising a child.

Female Announcer: (singing) With Take Care of Me Twins, this is my day.

NC: (vo) This is my day? Again, not the happiest words to shout during a baby commercial, but keep watching.

Announcer: (singing) This one is drooling, does your tummy hurt? Oh, excuse me, did you just drool on my shirt? I'm rushing around taking care of these two, with new little twins there's so much to do. Uh oh, is that a runny nose I see. Thanks very much, was that one for me?

NC: (vo) This is like the most passive aggressive ad I've ever seen. Like saying "Oh yeah, you want a baby? You want a fucking baby? Kiss your social life goodbye because this is your day. This is your entire goddamn day. Just drooling, sneezing, feeding, changing, running around."

Announcer: Thanks very much, was that one for me?

NC: (vo) Just look at the smile she gives. That's the smile of "I'm about to kill these little bastards if someone doesn't take them away from me.

Announcer: (singing) Take Care of Me Twins keeps me on the run, but caring for twins is so much more fun.

NC: (vo) And oh boy, what a rushed happy ending, huh. "Hell, Hell, Hell, Hell, Hell, but it's really good. Bye"

Announcer: Take Care of Me Twins come with four baby sounds.

NC: (vo) I don't think I've ever seen a toy that advertises more why NOT to buy it, but hey, if tearing out your hair raising a not human being is your idea of fun, then ... (weakly) yaaaay.

Announcer: (singing) Take Care of Me Twins keeps me on the run, but caring for twins is so much more fun.

Announcer: Take Care of Me Twins come with four baby sounds.

(Shows the girl's smile with gun shot and the words "Shoot Me")

(TV static transition to: Milk, It Does a Body Good commericals)

Girl: No you cannot fit into this dress.

NC: (vo) Ah, yet another series a classics. The setup is that we see what happens to a scrawny looking kid as they keep growing up while drinking their milk.

Boy: What girl's gonna go for me with a body like this?

Older Boy in mirror: Hang in there, Tom. I'm you two years from now cause you're drinking milk and working out.

Girl: And I got big news for you, big brother. I'm drinking milk.

Older girl: And in the next few years, it's gonna give me a lot of what I need. More strong bones, beautiful skin.

Woman: And a healthy body.

NC: (vo) Looking closer at these, have you ever realized how phenominally shallow they are? I mean, all of them are totally based on looks alone.


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