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Animaniacs Tribute

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<p style="margin: 0in 0in 10pt">'''John P. McCann:''' And at other studios, it would depend on, you know, what they were up against. You wouldn’t always get their best crew.</p>
 
<p style="margin: 0in 0in 10pt">'''John P. McCann:''' And at other studios, it would depend on, you know, what they were up against. You wouldn’t always get their best crew.</p>
   
<p style="margin: 0in 0in 10pt">'''Paul Rugg:''' You know, we’d get it back, and it would literally look like, you know, Yakko’s eyes were melting off his face, and you’d be like, “Oh! We’re in trouble.”</p>
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<p style="margin: 0in 0in 10pt">Paul Rugg: You know, we’d get it back, and it would literally look like, you know, Yakko’s eyes were melting off his face, and you’d be like, “Oh! We’re in trouble.”</p>
   
<p style="margin: 0in 0in 10pt">'''John P. McCann:''' Certain ones came back so…hashed, you know. You couldn’t save them in editing. You had to try and make them into something else.</p>
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<p style="margin: 0in 0in 10pt">John P. McCann: Certain ones came back so…hashed, you know. You couldn’t save them in editing. You had to try and make them into something else.</p>
   
 
<p style="margin: 0in 0in 10pt">'''Paul Rugg:''' There would be a deep, detailed storyboard about exactly what would happen. Then the timing person would come in and say, “OK, the gag from Yakko to go from this position to this position has so many frames.” These days, there isn’t as much control. You sort of just, you know, “Show me your storyboard and you ship it over and you kiss it goodbye and hope nobody looks really gross.”</p>
 
<p style="margin: 0in 0in 10pt">'''Paul Rugg:''' There would be a deep, detailed storyboard about exactly what would happen. Then the timing person would come in and say, “OK, the gag from Yakko to go from this position to this position has so many frames.” These days, there isn’t as much control. You sort of just, you know, “Show me your storyboard and you ship it over and you kiss it goodbye and hope nobody looks really gross.”</p>
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